Analyze the different techniques used in the openings of Sommersby and Of Mice and Men films

Creating a winning make often lies in creating a successful opening. By using diverse camera angles and brightness styles, as well as medicine techniques the director atomic number 50 placed the control and alter the biliousness in any way he wants. hither I am sack to analyze the unlike techniques utilize in the openings of two removes as they progress. Credits Somersby starts with an air of whodunit to it. We ar shown this perspective by the ignition styles and camera angles that used.The camera shots show close-ups of foremost a man who we assumed is short so(prenominal) of other(prenominal) man whos prospect is shrouded in a shadow of which enables scarce any of his face to be tryn at all. This enables as to question his identity an in scoreition question the relationship of him and the other man. The medical specialty is excessively suitably grim notwithstanding is of fairly poor standard, however the symphony does suggest the time period as the medical specialty is slightly patriotic. In the next sentiment the practice of medicine fades and we kick the bucket another close up of the mans face and transfer.The hands argon shown as they aim brilliance as it is elucidately shown they be cover in blood which when linked with the front prospect allows the viewer to jump to a rough conclusion to what has happened. The medication is fell to show us that this is a earnestness of the scene. The close up scene short fades we argon taken to the credits, which are play over scenes of this man traveling by dint of different climates, the variety in the climates shows us that he is traveling of long distances. This in any case asks us the question was is he going and why is he going.The camera belt up has not shown us a clear image of this mans face, which still gives us an conceit of mystery to the character and also shows us that the character is probably deliberately essay to conceal his identity. The camera also pauses at the pointedness when the man passes what looks like a group of soldiers. This emphasizes at that place is some definitive connection between the character we curb been shown and these soldiers which helps us as viewers to judge and fill important gaps in the write of this character. In direct contrast Of Mice and Men is contend out in a alone different style.The credits are nowadays at the beginning and there are no scenes played underneath it besides a blank background. Similar to Somersby however, is the music. Whilst Of Mice and Men music is of a higher standard it sets the scene for the painting. The music is very sad and frightful which elicit immediately specialize us that this film is not going to be a happy film . As the credits continue further we get sound effects that immediately tell us roughly where this scene is set. The hurly burly happens to be of a train so immediately us as viewers are told a) the scene is on a train and b) the characters in the film whitethorn be traveling.The camera pans in present us light coming by dint of gaps in the carriages, this captures the self like(prenominal) dark gentle wind as shown in the opening of Somersby tho finished a different technique. To add to this gloomy effect the music fades so that only the sound effects can be heard. The director has done this to such an effect that it fall apart of brings us into the celluloid and lets us feel the cold, dark, and harsh sounds that anyone would be hearing at that time. This brings user liaison into the film and is also relevant in the next few seconds in experiencing the thoughts of the characters.As the credits start to fad the music starts up once again and the camera pauses in front of an outline of a figure. The lighting here is used in the same effect as Somersby were it does not propound the character but allows us rather to ask questions about the character instead, for showcase why is he traveling on this train and why is he lurking in the shadows. And this effect is plainly used in the same context in Somersby when we see him with the body for the first time. The music then changes dramatically and immediately the credit scene ends and the movie moves on.This effect of the music ever-changing dramatically also highlights the point that the movie is continuing along a different path as apposed to the music in Somersby that tends to stay constant throughout the opening. It also gives the effect that this maybe a flare pass back due to the sudden changes in scene and location. Opening In Somersby continues on to a new location. The location is distinctly vastly different so we can say that the character may permit traveled a great distance. The music is still shown as grim and adds tautness and emotion to the scene.The scene focuses on the first of all a close-up of the hand being intent in a handkerchief. The angle is displayed as a first individual view so as to give us a better persp ective of the characters feelings, and the obvious close-up of the wrapping of the handkerchief shows us there is some relevance in the scene. We are then shown a third person shot of him taken the coat of he has been hidden under, which shows us that first he feels ready to reveal himself and secondly that he had a uniform on masking a connection between him and the soldiers.We are then shown the first full photograph of him. The music is now suitably brighter to obviously help lighten the characters mood. We are then taken to his first meeting with another character. The music fades to suggest that this maybe quite an important part of plot development. We are also shown the main character through the other characters eyes to show that at that point the concentration of that character would have been minimal. As the scene carries on the music changes to being much more cocksure which shows us that the tense atmosphere at the beginning of the scene has faded. Of Mice and Men once again changes to a different style. The music firstly has become more frantic and the scene first shows a women running. At this point she has no part in the invoice yet the camera follows her so that we survive that it must link to the plot somehow. We are then shown to characters running away from the camera. straight this tells that because the woman was running toward the camera they are running away from each other. This oddball of camera work is not used at all in Somersby as it tries to capture a different mood. thus far as the chase scene ends the same first person view as shown in Somersby is implemented to give us a clearer impression of the characters thoughts feelings at this time. To cerebrate it is obvious that both films implement alike styles however to get the correct mood they want they have often neutered techniques to suit that scene creating the same sort of mood but in different ways. This kind of variation adds variety to the film and makes it much more enjoyable to watch.